Logo: Nought to Sixty

Institute of Contemporary Arts

Nought to Sixty: Artists and Projects

A cumulative lists of all artists and projects involved in Nought to Sixty.

 

About Nought to Sixty

Nought to Sixty presents sixty projects by emerging artists based in Britain and Ireland over six months from 5 May to 2 November 2008.

 

Most of the artists in Nought to Sixty are under thirty-five, few of them have had significant commercial exposure, and in most cases this is their first opportunity to mount a solo project in a major public space.

 

The season is not intended to announce any new generation or style, but to build up a multifaceted portrait of the emerging art scene in the two countries, and to provide a space for exchange.

 

The Nought to Sixty programme consists of:

 

 

Events happen at the ICA every Monday night:

 

 

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Nought to Sixty is supported by:

Arts Council England logo
Scottish Arts Council logo
Henry Moore Foundation logo
Culture Ireland logo

 

Other partners:

Kirin Ichiban logo
Art Review logo
Afterall logo
Lux logo

Brown Mountain College

Brown Mountain Alumni Luke Roberts took up string saving at the age of 81. By the time he died, aged 86, Roberts's 300-pound ball had picked up second prize in a hobby show and over 30 miles of string.
Brown Mountain Alumni Luke Roberts took up string saving at the age of 81. By the time he died, aged 86, Roberts's 300-pound ball had picked up second prize in a hobby show and over 30 miles of string.

Brown Mountain College of Performing Arts' activities emphasise interdisciplinarity and collaboration.

Brown Mountain College's performance is in the Theatre on 4 August.

Brown Mountain College of the Performing Arts was founded to encourage interdisciplinary collaboration within the context of performance. It boasts the most departments of any art college, including both traditional and non-traditional disciplines, the latter featuring circus skills, magic, activism, bar tending, sports, dating and creative accounting. As the College is without permanent premises, staff or students, it invents new scenarios for each project, proposing formats and engaging practitioners. For Nought to Sixty the College will stage Those That Can..., a cabaret-style showcase of skills, including stage fighting, giant origami, dog-paw reading, sideshow illusions, chainsaw carving and string saving, demonstrated by experts from the faculty. Sir Gideon Vein, Professor of Re-skilling, will present this esoteric display to an audience that, by implication, will become prospective students.

Brown Mountain College considers Black Mountain College (1933-1967, North Carolina) to be its staid younger sister. Brown Mountain relishes scatological humour, metafictional nuisance and general absurdity, while also honouring the integrity of the work it facilitates. Like its sibling institution, the College champions experience as education, regarding the invigoration of curiosity as paramount and aiming to construct situations in which historical and theoretical insight and ribald humour can coexist. With its metafictional approach, Brown Mountain College produces multiple implicit and explicit jokes about performance and its frame - a comedic strategy that has been employed throughout the twentieth century by the likes of the Theatre of the Absurd, Monty Python and Fluxus.

The ultimate aim of the College is to revisit and reconfigure, through explosive laughter and the keener tools of comprehension, the overlooked roots and offshoots of performative genres and critical discourse. As the late, great anthropologist Mary Douglas suggests, "Aesthetic pleasure [has] something in common with the joy of a joke; something which might have been repressed has been allowed to appear, a new improbable form of life has been glimpsed."

Brown Mountain College was founded in 1906 and claims such influential faculty and alumni as Paul Robeson, John Cage and Lamb Chop. The current Deans of College were appointed in 2006 and aim to revive an avant-garde ethos of collaboration between artists, dancers, actors, filmmakers, political activists and comedians. The Deans are Mel Brimfield (born Oxford 1976, lives in London), Sally O'Reilly (born Portsmouth 1971, lives in London) and Ben Roberts (born London 1976, lives in London). Previous Brown Mountain College events include an ongoing series of thematic screenings, The Erratic Film Club (2006-ongoing), the celebratory Centenary Cabaret (Bethnal Green Working Men's Club, London, 2006) and Cabaret of Curiosities (Royal Academy Life Room, 2008), while the forthcoming Brown Mountain Festival of the Performing Arts will take place in the Slade Research Centre, Woburn Square, London, during Frieze Art Fair, October 2008.

Emma Ridgway

Nought to Sixty in Pictures: Brown Mountain College

Photo: Brown Mountain College, Those That Can Photo: Brown Mountain College, Those That Can Photo: Brown Mountain College, Those That Can

Essays

Not about institutions, but why we are so unsure of them, by J.J. Charlesworth.

Why an institution of contemporary art(s) like this, and not any other?

Gazetteer

Artist-run spaces and organisations (England, not London)

Artist-led organisations that support networks of emerging art in England outside London.

Coverage

Nought to Sixty in pictures

Babak Ghazi, Model, 2008, Digital prints on canvas, Courtesy the artist. Installation shot at the ICA, 2008, Photo: Stephen White

Photos of the projects, artists and audiences taking part in Nought to Sixty.

Coverage

Salon Discussions

Nought to Sixty includes a series of monthly discussions that address the networks that form and contribute to an emerging scene.

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