Institute of Contemporary Arts

Lis Rhodes: Dissonance and Disturbance 25 January 2012 - 25 March 2012
  • Vito Acconci

    Working his way from poetry to performance art via Minimalism, Acconci created 'found poetry' in which the arrangement of words superceded their meaning.

  • Carl Andre

    Andre's Shooting a Script renders accounts of a Wild West gunfight as a cubist textual narrative.

  • Anna Barham

    Barham's anagrammatic works reveal the unconscious meanings of words.

  • Matthew Brannon

    Brannon's collage and letterpress works recall the advertising aesthetics of a disillusioned 1950s America.

  • Henri Chopin

    Sound poet, curator, critic and founder of the journal OU.

  • Ian Hamilton Finlay

    Founder of the periodical Poor. Old. Tired. Horse. whose practice evolved from Concrete Poetry to working directly with the landscape in his own garden.

  • Alasdair Gray

    Better-known as a novelist, but also a muralist, playwright and illustrator, Gray's work includes the frontispieces for his own Lanark.

  • Philip Guston

    Notorious for his late-60s rejection of Abstract Expressionism, Guston's later work included 'Poem-Pictures' made in collaboration with Clark Coolidge, Robert Creeley and others.

  • David Hockney

    Hockney's engraved illustrations commissioned to accompany the love poems of Constantine Cavafy.

  • Karl Holmqvist

    Holmqvist's hypnotic readings and photocopied works on paper reveal his interest in repetition and patterns.

  • Dom Sylvester Houédard

    Mystic, spy, monk, and pioneer of typewritten visual poetry.

  • Janice Kerbel

    Kerbel's fantastic fairground posters introduce a world of imaginary figures.

  • Christopher Knowles

    Knowles' 'typings' build up words and phrases into intricate multi-coloured patterns using an electric typewriter.

  • Ferdinand Kriwet

    Kriwet's work in Poor. Old. Tired. Horse. brings together poetic language, commercial function and mystical forms.

  • Liliane Lijn

    Kinetic artist and creator of rotating conical 'poetry machines'.

  • Robert Smithson

    Blake meets Bosch in Smithson's early drawings exploring the pictorial possibilities of language.

  • Frances Stark

    Works based of the self-reflexivity of modernist writing.

  • Sue Tompkins

    Tompkins' performances involve rapid readings from typewritten works.