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A series of ten talks in 2007 and 2008.
To mark the ICA's 60th anniversary, we look back at the dominant curatorial approaches of the institute's history, questioning their continued relevance today and looking at the possibility of their revival. The series takes key exhibitions and themes from the ICA's past as the starting point for discussion - exhibitions including Parallel of Life and Art, Prostitution, Cybernetic Serendipity and Unknown Political Prisoner, and themes such as eroticism, technology, psychedelia and destruction. Transcripts from the talks will form the basis of a publication to be released at the end of the series.
Developed in association with Ben Cranfield and the London Consortium. Ben Cranfield is a collaborative doctoral award student at the ICA and London Consortium, currently working on an intellectual history of the arts in postwar Britain.
Curate it like you mean it and INSTANTLY you will see how to DESTROY ILLUSION AND DRAW ATTENTION TO THE FACTS.
When Soft Machine played with the Boyles in 1969, when the ICA celebrated a Mid Summer High, was the field of the curator in danger of giving way to drugs and flashing lights?
Is it arrogant to assume we have the tools to understand artwork from very different cultures? Part of the 60 Years of Curating talks series.
Should the curator be concerned with the physical experience of the audience? Artists and curators discuss.
In an age of ubiquitous technology, why is computer-based art still such a problem?
From 60s happenings to a gallery full of children, are our playful impulses just a distraction from the serious business of art?
Does sex still have the power to shock? Is controversy still one of the highest aims of the curator?
Is there a fundamental difference of position between artist and curator? Do we need curators at all?
Should curators get involved in politics? Curators and artists look back, with reference to the ICA's political curating history.