Hito Steyerl, Is the Internet úäCì@?ù.1HcpiÙîfê¿Dead, 2014

Hito Steyerl, Is the Internet úäCì@?ù.1HcpiÙîfê¿Dead, 2014


Hito Steyerl
Is the Internet úäCì@?ù.1HcpiÙîfê¿Dead, 2014
Digital pigment print with silkscreen
23.2 x 32.8 cm
Edition of 50, accompanied by a signed and numbered certificate
£600 (ICA Members £450) LAST PRINTS!
ICA Membership £30

To accompany the ICA’s survey of her work, Hito Steyerl has created a two-part edition: a free unlimited digital download and a new limited edition print. The source for both editions is a found image of a woodcut print by Utamaro, which the artist has intentionally corrupted by embedding one of her written texts into the image’s source code. The downloadable code reveals this hidden text, from which it is possible to reconstruct the original jpeg image. The limited edition print is a further derivative of this text, printed with silver ink containing silicone; a component of semiconductors.

Instructions for digital edition:

  • Download the image source text (right-click and select 'Save as')
  • To display the image, change the file extension from '.txt' to '.jpg'.
  • Open file in an image viewer application

Berlin-based artist and writer Hito Steyerl is one of the most critically acclaimed artists working in the field of video today. Steyerl’s work focuses on contemporary issues such as feminism and militarisation, as well as the mass proliferation and dissemination of images and knowledge brought on by digital technologies.

'Steyerl’s films and essays take the digital image as a point of departure for entering a world in which a politics of dazzle manifests as collective desire. This is to say that when war, genocide, capital flows, digital detritus, and class warfare always take place partially within images, we are no longer dealing with the virtual but with a confusing and possibly alien concreteness that we are only beginning to understand. Today the image world, Steyerl reminds us, is far from flat. And paradoxically it may be in its most trashy and hollowed out spots that we can locate its ethics. Because this is where forms run free and the altogether unseen and unrecognised toy with political projects at the speed of light. It is where spectacle and poverty merge, then split, then dance.' -  Brian Kuan Wood

Please note, by purchasing one of our limited editions you are agreeing to our Terms and Conditions.

This work can be purchased with Own Art, which allows you to spread the cost of your purchase over 10 months, completely interest free. For more information on framing options and OwnArt applications, please contact Ruta Radusyte +44 (0)20 7766 1425.