Previously at the ICA - Events
18 Mar 2015
Witches and Wicked Bodies, an exhibition by Deanna Petherbridge, provided an intriguing and original historical overview of representations of witches from classical representations on Graeco/Roman pottery through to Symbolist works at the turn of the twentieth century.
This talk aims to discuss this exhibition's presentation of misogyny as it has been revisited, restructured and represented throughout different periods of Western art history, through the persistence of potent and disturbing images of hideous old hags and desirable young sirens.
The respondents will then introduce questions about the representation of older women in art, culture and society in the past and present and look at how different approaches within feminism have taken the figure of the witch and attempted to transform it.
Deanna Petherbridge is a writer, artist and curator of Witches and Wicked Bodies (British Museum, September 2014-January 2015 and Scottish National Gallery of Modern Art, Edinburgh, July-November 2013). She curated the touring exhibition The Quick and the Dead: Artists and Anatomy in 1997 and is the author of The Primacy of Drawing: Histories and Theories of Practice (Yale University Press, 2010). She was Professor of Drawing at the Royal College of Art, London from 1995 to 2001.
Lynne Segal is Professor in Psychosocial Studies at Birkbeck College, University of London. Her recent books include: Out of Time: The Pleasures and Perils Ageing (Verso, 2013); Making Trouble: Life and Politics (Serpents Tail, 2007) and Straight Sex: The Politics of Pleasure (Virago, 1994; Verso, 2014). She will address the exhibition and its topic from the perspective of her extensive research into gender, sexualities and shifts and continuities in portrayals of ageing.
Alexandra Kokoli is Senior Lecturer in Visual Culture (Fine Art) at Middlesex University, is completing a monograph on the feminist uncanny, (Bloomsbury Academic, forthcoming). Her talk will examine the figure of the witch in 1970’s French feminisms informed by psychoanalysis, including Catherine Clément's contribution to The Newly Born Woman (co-authored with Hélène Cixous) and the bimonthly journal Sorcières (1976-1981). In psychoanalytic second-wave feminist discourse, the witch emerges as victim and heroine in one, bearing the marks of the most extreme misogynistic violence yet also embodying the potential for a feminist revolution.
Katy Deepwell is Professor of Contemporary Art, Theory and Criticism at Middlesex University, and editor of n.paradoxa: international feminist art journal and Feminist Art Manifestos: An Anthology (KT press, 2014). In her talk, she will address how feminist thought and research, notably Mathilda Joselyn Gage, Mary Daly and Silvia Federici, has analysed the witchcraze and how this emerges as a means to reconceptualise the question of heresies, cosmology, and relations of church and state for feminism, while at the same time providing potent imagery for feminist art works.
The event will be chaired by Professor Hilary Robinson, Dean of the School of Art and Design, editor of the anthology Feminism-Art-Theory 1968-2014 (Wiley-Blackwell, new edition, forthcoming 2015).
This talk is organized by Create/Feminisms, a research cluster in the School of Art and Design, Middlesex University as an element of the partnership between the School of Art and Design and the ICA.